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              $  	   H     l        C:\ERICBE2\PHISH\MUSIC.DOT        Phish Chords File                 Eric Berman                       Eric Berman                 @    ~^                        @   ܥe =	    e              :  q                  B7      K                            Z     Z    [      [      [      [      [     \    \      V`      V`      V`     f`  :   `  (   \      q  C   `    l  4   m      m      m      m  H   `m  ,   m     9o     ;o      ;o      ;o  &   ao     1p     q      Dq  T   q  U   q                      [      m         ' 	  m      m                      m      m      q      n      [      [      m                      `      n      n      m  t   m      [      m      [      m      9o                      \      \      [      [      [      [      m      9o      9o      n  !                                                                                        Phish Chords File
toc \oIntroduction	 GOTOBUTTON _Toc320263021   PAGEREF _Toc320263021 3
Credits	 GOTOBUTTON _Toc320263022   PAGEREF _Toc320263022 4
About the Chords File	 GOTOBUTTON _Toc320263023   PAGEREF _Toc320263023 5
Notation conventions	 GOTOBUTTON _Toc320263024   PAGEREF _Toc320263024 6
The Man Who Stepped Into Yesterday (GameHenge)	 GOTOBUTTON _Toc320263025   PAGEREF _Toc320263025 7
AC/DC Bag	 GOTOBUTTON _Toc320263026   PAGEREF _Toc320263026 8
Lizards	 GOTOBUTTON _Toc320263027   PAGEREF _Toc320263027 9
Possum	 GOTOBUTTON _Toc320263028   PAGEREF _Toc320263028 14
Tela	 GOTOBUTTON _Toc320263029   PAGEREF _Toc320263029 18
Wilson	 GOTOBUTTON _Toc320263030   PAGEREF _Toc320263030 20
Junta	 GOTOBUTTON _Toc320263031   PAGEREF _Toc320263031 21
David Bowie	 GOTOBUTTON _Toc320263032   PAGEREF _Toc320263032 22
Dinner and a Movie	 GOTOBUTTON _Toc320263033   PAGEREF _Toc320263033 26
Divided Sky	 GOTOBUTTON _Toc320263034   PAGEREF _Toc320263034 27
Esther	 GOTOBUTTON _Toc320263035   PAGEREF _Toc320263035 31
Fee	 GOTOBUTTON _Toc320263036   PAGEREF _Toc320263036 36
FluffHead	 GOTOBUTTON _Toc320263037   PAGEREF _Toc320263037 38
Fluff's Travels	 GOTOBUTTON _Toc320263038   PAGEREF _Toc320263038 39
Foam	 GOTOBUTTON _Toc320263039   PAGEREF _Toc320263039 44
Golgi Apparatus	 GOTOBUTTON _Toc320263040   PAGEREF _Toc320263040 48
Golgi Solo	 GOTOBUTTON _Toc320263041   PAGEREF _Toc320263041 50
Sanity	 GOTOBUTTON _Toc320263042   PAGEREF _Toc320263042 52
You Enjoy Myself	 GOTOBUTTON _Toc320263043   PAGEREF _Toc320263043 53
Lawn Boy	 GOTOBUTTON _Toc320263044   PAGEREF _Toc320263044 58
Bathtub Gin	 GOTOBUTTON _Toc320263045   PAGEREF _Toc320263045 59
Bouncing Round the Room	 GOTOBUTTON _Toc320263046   PAGEREF _Toc320263046 60
Lawn Boy	 GOTOBUTTON _Toc320263047   PAGEREF _Toc320263047 61
Reba	 GOTOBUTTON _Toc320263048   PAGEREF _Toc320263048 62
Run Like an Antelope	 GOTOBUTTON _Toc320263049   PAGEREF _Toc320263049 65
Split Open and Melt	 GOTOBUTTON _Toc320263050   PAGEREF _Toc320263050 66
The Squirming Coil	 GOTOBUTTON _Toc320263051   PAGEREF _Toc320263051 67
Picture of Nectar	 GOTOBUTTON _Toc320263052   PAGEREF _Toc320263052 71
Cavern	 GOTOBUTTON _Toc320263053   PAGEREF _Toc320263053 72
Chalkdust Torture	 GOTOBUTTON _Toc320263054   PAGEREF _Toc320263054 73
Glide	 GOTOBUTTON _Toc320263055   PAGEREF _Toc320263055 75
Guelah Papyrus	 GOTOBUTTON _Toc320263056   PAGEREF _Toc320263056 77
Landlady	 GOTOBUTTON _Toc320263057   PAGEREF _Toc320263057 78
Llama	 GOTOBUTTON _Toc320263058   PAGEREF _Toc320263058 81
Mango Song (the)	 GOTOBUTTON _Toc320263059   PAGEREF _Toc320263059 83
Poor Heart	 GOTOBUTTON _Toc320263060   PAGEREF _Toc320263060 85
Stash	 GOTOBUTTON _Toc320263061   PAGEREF _Toc320263061 89
Tweezer	 GOTOBUTTON _Toc320263062   PAGEREF _Toc320263062 91
Rift	 GOTOBUTTON _Toc320263063   PAGEREF _Toc320263063 92
Fast Enough for You	 GOTOBUTTON _Toc320263064   PAGEREF _Toc320263064 93
Horn	 GOTOBUTTON _Toc320263065   PAGEREF _Toc320263065 94
Horse	 GOTOBUTTON _Toc320263066   PAGEREF _Toc320263066 97
Maze	 GOTOBUTTON _Toc320263067   PAGEREF _Toc320263067 98
My Friend, My Friend	 GOTOBUTTON _Toc320263068   PAGEREF _Toc320263068 99
Rift	 GOTOBUTTON _Toc320263069   PAGEREF _Toc320263069 101
Silent in the morning	 GOTOBUTTON _Toc320263070   PAGEREF _Toc320263070 103
Sparkle	 GOTOBUTTON _Toc320263071   PAGEREF _Toc320263071 104
The Wedge	 GOTOBUTTON _Toc320263072   PAGEREF _Toc320263072 105
Weigh	 GOTOBUTTON _Toc320263073   PAGEREF _Toc320263073 107
Its Ice	 GOTOBUTTON _Toc320263074   PAGEREF _Toc320263074 109
Hoist	 GOTOBUTTON _Toc320263075   PAGEREF _Toc320263075 111
Axilla (Part II)	 GOTOBUTTON _Toc320263076   PAGEREF _Toc320263076 112
Dog Faced Boy	 GOTOBUTTON _Toc320263077   PAGEREF _Toc320263077 113
Down with Disease	 GOTOBUTTON _Toc320263078   PAGEREF _Toc320263078 114
If I Could	 GOTOBUTTON _Toc320263079   PAGEREF _Toc320263079 115
Julius	 GOTOBUTTON _Toc320263080   PAGEREF _Toc320263080 116
Life Boy	 GOTOBUTTON _Toc320263081   PAGEREF _Toc320263081 117
Sample in a Jar	 GOTOBUTTON _Toc320263082   PAGEREF _Toc320263082 119
Scent of a Mule	 GOTOBUTTON _Toc320263083   PAGEREF _Toc320263083 120
Wolfman's Brother	 GOTOBUTTON _Toc320263084   PAGEREF _Toc320263084 121
Unreleased Material	 GOTOBUTTON _Toc320263085   PAGEREF _Toc320263085 122
Axilla	 GOTOBUTTON _Toc320263086   PAGEREF _Toc320263086 122
Cracklin Rose	 GOTOBUTTON _Toc320263087   PAGEREF _Toc320263087 124
Harpua	 GOTOBUTTON _Toc320263088   PAGEREF _Toc320263088 125
Mike's Groove	 GOTOBUTTON _Toc320263089   PAGEREF _Toc320263089 127
My Mind's Got a Mind of It's Own	 GOTOBUTTON _Toc320263090   PAGEREF _Toc320263090 129
NICU (In an Intensive Care Unit)	 GOTOBUTTON _Toc320263091   PAGEREF _Toc320263091 130
Rocky Top	 GOTOBUTTON _Toc320263092   PAGEREF _Toc320263092 131
Runaway Jim	 GOTOBUTTON _Toc320263093   PAGEREF _Toc320263093 133
Suzi Greenburg	 GOTOBUTTON _Toc320263094   PAGEREF _Toc320263094 134
Weekapaug Groove	 GOTOBUTTON _Toc320263095   PAGEREF _Toc320263095 135
BassLines	 GOTOBUTTON _Toc320263096   PAGEREF _Toc320263096 136
Junta	 GOTOBUTTON _Toc320263097   PAGEREF _Toc320263097 137
Fee	 GOTOBUTTON _Toc320263098   PAGEREF _Toc320263098 138
You Enjoy Myself	 GOTOBUTTON _Toc320263099   PAGEREF _Toc320263099 139
Divided Sky (bass tab)	 GOTOBUTTON _Toc320263100   PAGEREF _Toc320263100 141
Fluffhead	 GOTOBUTTON _Toc320263101   PAGEREF _Toc320263101 144
Fluff's Travels	 GOTOBUTTON _Toc320263102   PAGEREF _Toc320263102 145
LawnBoy	 GOTOBUTTON _Toc320263103   PAGEREF _Toc320263103 146
Reba	 GOTOBUTTON _Toc320263104   PAGEREF _Toc320263104 147
Split Open and Melt (bass tab)	 GOTOBUTTON _Toc320263105   PAGEREF _Toc320263105 150
Picture of Nectar	 GOTOBUTTON _Toc320263106   PAGEREF _Toc320263106 151
Llama	 GOTOBUTTON _Toc320263107   PAGEREF _Toc320263107 152
Tweezer	 GOTOBUTTON _Toc320263108   PAGEREF _Toc320263108 153
Rift	 GOTOBUTTON _Toc320263109   PAGEREF _Toc320263109 154
Rift	 GOTOBUTTON _Toc320263110   PAGEREF _Toc320263110 155
Maze	 GOTOBUTTON _Toc320263111   PAGEREF _Toc320263111 157
Sparkle	 GOTOBUTTON _Toc320263112   PAGEREF _Toc320263112 159
Weigh	 GOTOBUTTON _Toc320263113   PAGEREF _Toc320263113 160
It's Ice	 GOTOBUTTON _Toc320263114   PAGEREF _Toc320263114 161
Silent in the Morning	 GOTOBUTTON _Toc320263115   PAGEREF _Toc320263115 162
Hoist	 GOTOBUTTON _Toc320263116   PAGEREF _Toc320263116 163
Julius	 GOTOBUTTON _Toc320263117   PAGEREF _Toc320263117 164
Down with Disease	 GOTOBUTTON _Toc320263118   PAGEREF _Toc320263118 165
Axilla [Part II]	 GOTOBUTTON _Toc320263119   PAGEREF _Toc320263119 167
Unreleased	 GOTOBUTTON _Toc320263120   PAGEREF _Toc320263120 168
NICU (bass tab)	 GOTOBUTTON _Toc320263121   PAGEREF _Toc320263121 169
Ya Mar	 GOTOBUTTON _Toc320263122   PAGEREF _Toc320263122 170
Introduction
Credits
We should thank the following people for their contributions to this file.  Music only lives as long as people play it, and one of the best ways to learn to play it is by figuring out what other people do.  Trey and the gang have inspired us all to play our axes, be they guitars, keys, or bass, and this can only be a good thing.  Thank you for sharing your efforts with us all.

Although I've edited the file somewhat to make it less wordy and more coherent (i.e., removed 6 different ways to play Guelah Papyrus), I've tried to keep credit to all of the contributers.  In particular, the following people have all made contributions to the chords file (in alpha order; I apologize if I'm missing anybody; please let me know if I am...):

Alex Chaffee (chaffee@reed.edu , Reed College, Portland, OR 97202)
Anthony J. Went <twent@wam.umd.edu>
BB  (edgar@coos.dartmouth.edu)
Benjamin C Forsyth (bforsyth@rodan.acs.syr.edu )
Benjamin M. Brainard (Benjamin.M.Brainard@dartmouth.edu)
Brian Feller (brian.feller@um.cc.umich.edu)
Chris Corsale (ccorsale@cosi.stockton.edu)
David Douglas McCallum (kcjonz@wam.umd.edu)
David Lionelli (LIONELLI_DAV@CSUSYS.CTSTATEU.EDU)
Eric Berman (ericbe@microsoft.com)
Firehammer (joelfire@elaine4.Stanford.EDU)
Hayduke lives! (92MDB@vax.cc.williams.edu) (Mikey ?)
James Treworgy (jamie@access.digex.com )
Jim Vegeais (vegeais@aspentec.com)
John Greene (John.Greene@student.umass.edu)
John P. Brennan (hog@next03wor.wam.umd.edu )
Jonah David Seiger (Jonah.David.Seiger@um.cc.umich.edu)
JSARNA@vax.clarku.edu
kassak@athena.mit.EDU
Kevin Kukoda (mitchmercy@aol.com)
Kirk Mehtlan (KM1324@ark.ship.edu)
Kyle Grieser (yuf@sequent.com)
Lee Silverman  (LEE@BROWNVM.brown.edu)
M. Hamish Bowman (mibowman@ccmail.sunysb.edu)
Michael David Bruce (mdbruce@leland.Stanford.EDU)
Michael Hamish Bowman  (netmail!MIBOWMAN@ccmail.sunysb.edu)
Nicholas Lloyd SM 1997"  <netmail!nxlloyd@minerva.cis.yale.edu>
Paul Cummings <ACH@cornella.cit.cornell.edu>
Neil Berkman (berkman@cs.umass.edu)
Tim Corley 
Tim Fallon  <no net access>
Tom Raymo <gut@westerly.mit.edu>
About the Chords File

About the Chords File (time \@ "MMMM d, yyyy"March 19, 1995)

This file contains chords to Phish songs that have been posted to the Phish.Net mailing list.  It was written in Microsoft Word for Windows, but is being made available in "RTF", a format that is readable by many popular word proccessors.  Since this document was created in Word, Word For Windows or Word For Mac 4.0/5.0 will be able to interpret the RTF particularly well.  If you do not have access to MS Word or another word proccessor, you can use the text-only version of this and use any text editor/mail reader to read it.

I've been maintaining this file, but have done very little editing or verification of the chords/tab. If you have any comments or additions, you can send them to me (ericbe@microsoft.com). However, I'm busy so I make no promises about being able to respond in a timely manner.

Primarily, I've limited myself to the following "editorial" changes:  
- Removing email headers, introductions, signatures, etc.  (Although I do try to preserve credit for the submitter and anybody else who follows up wherever the submitter's name is available)  
- Formatting the file (if you are using Word)  
- Resolving disputes over chords when it ease easy and non-controversial (for example, Cm is corrected as Cm7) and presenting alternate viewpoints where it's not so clear-cut, to prevent the scattering of the song about the file.

A note about formatting:  If you are using Word, you will notice that this file primarily uses 3 styles: Normal, Tab, and headings.

Normal is used for ordinary text, such as this; if you prefer something a bit different, redefine it.

Tab is used for tablature notation.  While you can change it as you like, you should keep two properties: the "keep with next" property, which keeps the lines of tab on a page together (making reading the stuff significantly less frustrating), and make sure you continue to use a fixed-pitch font or the alignment of chords/lyrics/tab will be shot (the characters in a fixed-pitch font are all exactly the same width, like on a typewriter).  I prefer Lucida Sans Typewriter on Windows or Monaco on the Mac, but Courier works fine as well on both platforms.

Finally, the heading styles are used to introduce each song.  This makes the file easier to use in three ways: you can switch to outline view to quickly find a song, you can sort the song list, and you can keep the table of contents up to date.

The latest version of this file may be found on the Phish.Net ftp archive. "ftp archive.phish.net" (really netspace.stg.brown.edu), then use the "cd" command to go to one of these directories: /pub/phish/text_files/chords (for the text-only version) or /pub/phish/formatted_text/chords.rtf for the rtf version; most word processors can read the RTF version without losing any of the styles described above.

This file has been brought to you by the people listed at the start of this introduction, from whom this introduction has been modified.

--Eric Berman
Notation conventions

While these notation conventions are not followed universally throughout the file, they are a pretty good guide to what follows.  These are typically found above and below the tab.

 1
/    Strike the string and bend it at the same time by the amount shown.
     Bend the string until the note changes by the specified number of steps.
     For example, if you see this over a note on the 3rd fret of the E
     string (a G), this sounds as an A (otherwise played 2 frets higher).
     A bend of 1/2 is the same as a single fret (half step on the piano)

---+ A note that is held until the plus sign.  Usually for when you bend a
     string and hold it while playing other notes.  This is drawn over the
     tab and may be broken across lines.

\--/ Drawn under the tab and possibly broken across lines, this indicates
     a tie.  Mostly, this is used when you strike a string and then bend it
     to another note to indicate that you don't pick a second time.

(10) Implied note on the indicated fret (10, in this case).  This note is not
     plucked, but usually occurs when you release a bent string but still
     let the note ring.

 ~   Tremallo (wiggle finger up and down or back and forth)

/S   Slide up to note

\S   Slide down to note

H    Hammer on: hit the specified fret with a finger, but don't pick.

P    Pull off: put your finger on the fret at the specified location before
     pulling off another finger from another fret.  Don't pick.

v    Down pick

^    Up pick

x    Mute string

o    Harmonic

|    Downbeat marker.  I use this because tab does next to nothing to
     convey timing information.  When in doubt, listen to the recording.

3    Specified note is part of a triplet
BassLines
PAGE  


Phish Chords File	Page page 171	date \@ "M/d/yy"3/19/95




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+  +  R+  ,  C,  )-  *-  -  -  .  .  C0  D0  91  :1  2  2  [3  \3  j3  3  3  54  64  94  4  4  5  a5                                                                                                                                                                                                                                                                                          ,a5  5  5  5  A6  j6  k6  6  7  E7  F7  7  7  7  7  38  48  J8  K8  c8  d8  8  8  8  79  89  G9  H9  U9  V9  g9  h9  v9  w9  9  :  :  0:  1:  2:  3:  4:  5:  6:  7:  A:                                                                                                                                                                                                                                                                                       -A:  B:  K:  L:  M:  :  :  :  :                                                                                                                                                                                                                                                                                                                                                                                                                                                     &	    h   ` %       K        @  Normal     a	 4 @  4 	Heading 1    	 1 %
 U] ^c * @  * 	Heading 2    	  
 U] ^c               " A@ " Default Paragraph Font           & @  & TOC 2      X !  & @  & TOC 1     X !  U   @   Footer    !   O " tab     ] c  O 2 Credits     V0 O B0 	TabHeader    `p  %  U]  2 O R2 tablines   H t  &	 '	 (	 )	 *	     )@ a Page Number        ]  17  27  37  47  57  67  77  A7  7   :        :     :     :     :     :     :     :             ]  j  r      V  W           G   s            !  J!  !  !  $"  \"  r"  "  "  "  "  #  A#  s#  #  #  $  @$  L$  h$  $  $  $  $  $  &  &  
(  (  R(  )  C)  )*  **  *  *  +  +  C-  D-  9.  :.  /  /  [0  \0  j0  0  0  51  61  91  1  1  2  a2  2  2  2  A3  j3  k3  3  4  E4  F4  4  4  4  4  35  45  J5  K5  c5  d5  5  5  5  76  86  G6  H6  U6  V6  g6  h6  v6  w6  6  7  7  07  17  27  37  47  57  67  77  A7  7                                                                                                                                                                                                                                                                                                              J   M      T  	  
  |      	  M  :      ! " # $ % &        &  a5  A:  :  ' ( ) * + ,       '   C   [   ]   ^   h                                !  9  ;  <  m                      
  %  '  (  1  M  e  h  i  p                      
  %  (  )  7  S  k  n  o                        '  ?  B  C  I  e  }                            2  J  M  N  `  |                            1  M  e  h  i  t                      (  @  C  D  O  k                            +  G  _  b  c  x                    	  !	  9	  <	  =	  Q	  m	  	  	  	  	  	  	  	  	  	  	  
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        !  =  U  Y  Z  b  ~                             3  O  g  k  l  |                      +  C  G  H  Q  m                            +  G  _  c  d  x                     	  %  =  A  B  R  n                            9  U  m  q  r                      !  =  U  Y  Z  k                        0  4  5  =  Y  q  u  v  |                       6  N  R  S  _  {                    	  !  %  &  -  I  a  e  f                    
    1  I  M  N  X  t                              4  L  P  Q  [  w                            1  M  e  i  j  r                        5  9  :  M  i                               <  T  X  Y  [  $  $  $  7  
2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%D2%@2%@2%@2%@        "   (   ,   .   ?   G   M   ! !H 
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_Toc320263096]  j  $  j0  77  7                  i  q  $  ~0  @7  7  17  27  37  47  57  67  77  A7  D7           $       $  %     $  5     $  E     $  U     $  e     $  u   !C:\ERICBE2\PHISH\TMWSIY.DOC     C:\ERICBE2\PHISH\JUNTA.DOC     C:\ERICBE2\PHISH\LAWNBOY.DOC%     C:\ERICBE2\PHISH\NECTAR.DOC5     C:\ERICBE2\PHISH\RIFT.DOCE     C:\ERICBE2\PHISH\HOIST.DOCU     C:\ERICBE2\PHISH\NOALBUM.DOCe     C:\ERICBE2\PHISH\BASSTAB.DOCu     @HP LaserJet 4Si/4Si MX LPT2: HPPCL5MS HP LaserJet 4Si/4Si MX             < w          
X  X                                                                                MSUDHP LaserJet 4Si                   
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   HP LaserJet 4Si/4Si MX             < w          
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   C   Times New Roman  Symbol &  Arial 5  Courier New "  V  h    ģe                                                   U  C:\ERICBE2\PHISH\MUSIC.DOTPhish Chords File   Eric BermanEric Berman          ࡱ           