Hoist
Axilla (Part II)
Intro part:
||---------6--6----6-6-----6-6------------------||
||.--------6--6----6-6-----6-6---6--6----8-----.||
||---8-^--------8^------8^-------6--6----8------||
||.------------------------------6--6----8-----.||
||----------------------------------------------||
||----------------------------------------------||

^ means the note is bent up a half step.  This part is like the beginning 
of johnny b. goode.
Verse part:
            ~      ~              ~~           ~             ~~
||----------------------------------|----------------------------||
||----------------------------------|----------------------------||
||----------6-----------------------|----------6-----------------||
||-----8-------8---6--8-------6-----|-----8-------8----6--8------||
||---8---8-------8---------8--------|---8----8-------8-----------||
||-6---------------------9--------9-|-6----------------------9---||

~ means to add some vibrato by bending the string slightly.
ARRANGEMENT:
intro 4X
verse 4X
G7, F#7
intro 4X
verse 2XG7, F#7
wait on F chord for 8 "Axilla" 's.
Page's solo--play intro 8X (there are a few variations on this, but I'm 
too lazy to put them here.)
Break:
Eb Bb Ab Bb  4X  last time go to F instead of Bb and wait for 6 axilla's.
intro  4X
"axilla" 8X  (F chord)
intro  4X
The songs ends up on a Bb, then goes into that weird part at the end.  
The chords are G7 and F#7, picked instead of strummed.  You're on your 
own for that spooky guitar overdub.
Dog Faced Boy
From: Chris Corsale (ccorsale@cosi.stockton.edu)
Finger picking, the whole song...
intro:  C / G / C ---
verse 1:  C / G / Am / Am / F / G / C / C / E7 / E7 / F / F / C / G / C 
chorus:            C (picking the chord, alternating C and G bass notes)
       whenever i thiiiiiiiiink of you, it only makes me sad
                   G7 - - - - - - - - - - - - -- 
       whenever i thiiiiiiiiiink of you, the best friend i ever had
         Bb7                 C   
Before i give it all up for nothing.
                                             
Next verse, pick C chord all the way until "...me feel bad" (switch to G7 
on the word "bad"), change back to C on the word "shame".
Different kind of chorus:
             C      C7       F                        D (F# bass) 
whenev 
       G7- - - - - - - - - - - - - - - - - -C                  
cause you deserve better...just got up and git
verse 3: F/G/C/C/F/G/C/C/E7/E7/F/F/C/G/C/C
Down with Disease
From: Chris Corsale (ccorsale@cosi.stockton.edu)
Mike starts, then Trey comes in with a D#9 chord on beats 2 and 4.  
he does the chords for 3 measures and then slides from an F chord to a G.
So you do the three hits on D#9, then F to G.  Let’s call this part I.
ARRANGEMENT:
Part I twice, then let Mike do his few measures, then kick in with part I
one mre time before cutting to a verse:
A----(let chord ring, pray for sustain)
part I twice
A----(same as above)
part I one and a half times;  second tome through, don't play the F/G, 
instead, take the D#9 chord, and play, on the repeated line:
 D#9     C##9  C7
"dancing on my lawn"
Chorus:
A / A / G / D / G / D / G / C   2x
"stop stop..."part:  A / A / G / D   2x
Do another verse, then another chorus, and another "stop" part. then 
there's a guitar solo over:
C / D / C / D / C / D / E / E   2X
Trey ends the solo with a lingering, jimi hendrix-sounding note.  
Mike repeats the intro in the key of E instead of D, and you hit an 
E#9 chord to cut it off.
Cut to the chorus, and a stop part.  continue the stop part, and Trey's 
line at the end goes like this:

1
                                                        /
||-------------------------------||--------14--15-15-15-15-14------17-(19)-17-||        
||-----10---12*---12--10------10-||.----15----------------------15-----------.||
||--9---------------------11-----||-------------------------------------------||
||-------------------------------||.-----------------------------------------.||
||-------------------------------||-------------------------------------------||
||-------------------------------||-------------------------------------------||

If I Could
From: Chris Corsale (ccorsale@cosi.stockton.edu)

The chord at  the beginning of the song is exactly the same fingering as an open C chord, but moved up two frets.  leave the 1st and 3rd strings open.

So, low to high, your notes should be:  (6th string not played) D, F#, G, D, E.  here's the picking style:

|-----------0---------------------------
|--------------3---------3--------------
|--------0------------0-----------------
|-----4------------4--------------------
|--5------------------------------------
|---------------------------------------

This is now (as i love to call it) "part I".

Song starts with part I  4X.

The verse is as follows:

G / B7 / C / G / G / F / C / part I 4X

Go through this twice.  the second time around, though, instead of playing part I, play this progression:  

D / A / C / 

Then part II, which follows:

          C           B           A            D
|----------------------------------------------------------
|-----------------1------------1----------1----------3-----
|--------------0------------0-----------0---------0-----0--
|-----------2------------0-----------0---------0-----------
|--0--2--3------------2-----------0------------------------
|----------------------------------------------------------

Now we're ready for the chorus!

G / C / G / C / Bm / C /part I (2X), then part II (once).

Then there's another verse and another chorus.  but at the end of this second chorus, instead of playing part I, cut right to  

D/A/C/G (2X)

then 

D/A/C/C/Am/Am

then the chorus part (4X).  The last time around, go to 

D/A/C/G (3X)

Then a measure of A, then part II, and end on a C chord.
Julius
From: Chris Corsale (ccorsale@cosi.stockton.edu)

opening part, referred       |next part, referred
to here as "I" or            |to as "II" or "part 
"part I"                     |II"   
    /S                P  P          D         C
|----------------------------||----------------------------------
|--------------------------.-||-----7---------5------------------
|----------------------------||-----7---------5------------------
|-------7----5-------------.-||-----7---------5------5-----------
|----7-----5----3------------||-------------------------7---5----
|------------------5--3--0---||----------------------------------



ARRANGEMENT:
part I:  6X  (4 as intro and 2 w/ singing)
D  C
part I:  4X
D  C
part I:  2X
part II:  4X
part I:  4X
E  D 2X --Like part II above, only 2 frets higher
part II (regular):  3X
part I:  ONCE
D  C
part I:  ONCE
D  C (w/ distortion, add band)

--repeat above sequence, this time with the full band--

JAM:  A  D7  A  D7  over and over

HORN BREAK:  D / D / D / D / part I 4X
             D / D / D / D / E (let chord die and slide down the neck)

part I:  4X
resume jammage:  A / D7 / A / D7    over and over

Break: open 6th string, then 2 hits on an E#9 chord (see below) done twice.  It's like an oom-pa-pa, with the open E being the "oom" and the chords being the "pa-pa" 's.

       E#9    
              
VI +-+-+-+-+-+
   | | X | | |
   +-+-+-+-+-+
   | X | X | |
   +-+-+-+-+-+
   | | | | X |
   +-+-+-+-+-+
   | | | | | |
   +-+-+-+-+-+
   | | | | | |
   +-+-+-+-+-+

Resume jam; song finishes itself.

Life Boy
From: Jon Harrod, submitted by Chris Corsale (ccorsale@cosi.stockton.edu)

                                                            \S
|------8----------------|-----------------|----------------|--------------|
|---------11-------11--5|6------8-----6---|6-----5--------3|-1-----3-----1|
|---9-----------9-------|---7-----7-------|---5-----5---0--|---0-----0----|
|10----------10---------|-----8-----8----7|-----7-----5----|-----3-----3--|
|-----------------------|-----------------|----------------|--------------|
|-----------------------|-----------------|----------------|--------------|


The verse chords are like so:    

  F            G           C               F       F
swinging on a life line, fraying bits of twine 

    F             G                C            F     C/E
entangled in the remnants of the knot i left behind

     Dm            G               C          F     C/E Dm C Bb
and asking you to help me make it finally unwind


Before the chorus, he hits a Bb chord, then staccato chords, Bb and G/B.  Here are the fingerings:

    Bb         G/B
|--------------------|
|-3---3------3---3---|
|-3---3------0---0---|
|-3---3------0---0---|
|-1---1------2---2---|
|--------------------|


The chorus goes like this:

     C         Bb    F
but god never listens 

(insert the Bb and G staccato chords here)

           C
to what i say


Repeat this, the second time going to an Am instead of C on the word "say"


...Am     Bb   Am      Bb    C   
      so very,     so very  hard

                     G      F           (cut to intro) 
and you don't get a refund     if you overpray


The chords for the break are these:
C G7 (2x)
C G7 C F (2x)

C           C11  F Fm  (2x)
Stranded...

C F C F C G F C/E Dm C
Sample in a Jar
From: Chris Corsale (ccorsale@cosi.stockton.edu)
From: Jim Vegeais (vegeais@aspentec.com)

Trey starts the song with:

   A   C   G   D              A   E   Em   D
                   H    
|----------------------------------------------|
|-10---8---8---7--------------5---5---5----3---|
|--9---9---7---7--------------6---4---4----2---|
|-11--10---9---7-----7---7----7---6---5----4---|
|----------------7-9---9-----------------------|
|----------------------------------------------|

This is done twice as an intro, then there's a drum break, and then me progression is used fo the verses.  it's played two more times as a verse.

The chorus goes like this:  

A   D   E   D  played 4X

Then play the verse progression once (w. distortion), then 2 more times as the second verse.  then there's another chorus.

The break is:  

C   D   A   G   C   D   E  (let the E chord hang for a while)

During that hanging E, trey does a little fill like this:

    H P H P H P H P H P H
|--------------------------|
|-8-9-8-9-8-9-8-9-8-9-8-9--|
|-7-9-7-9-7-9-7-9-7-9-7-9--|
|--------------------------|
|--------------------------|
|--------------------------|

Then the chorus part is played two more times.   There's a solo over the verse progression, and the song ends on a big A chord.

Scent of a Mule
From: Chris Corsale (ccorsale@cosi.stockton.edu)

Verse:
     G/G/G/G/C/C/C*/A7/D7/D7/
     G/G/G/G/C/A7/D7/D7

* means that this last measure of C is only a half measure.  watch out.

|----------9-----6-/S-7------4-/S-5-----1-/S-2-------
|----------------------------------------------------
|--9-/S-10----x--6-/S-7--x---4-/S-5--x--1-/S-2-------
|----------------------------------------------------
|----------------------------------------------------
|----------------------------------------------------

Breakdown:

D D/C D/B D/A (2x)

Chorus:

F C G G F C D D 
F C G G F C A7 D D D

jam on G for a while.

verse 2 = only the first half of verse 1.
That crazy fill again, the D/C/B/A thing twice, then a chorus.

Jam on G again under the banjo solo.

Verse 3 is the same as verse 2.

Cut to "heeeeere's a place of elegance" part: 

D C F F G C F F  4X, last time, cut to chorus.

One extra chorus, with D/C/B/A at the end.

It ends up with some nutso "poor heart" type ending that i'm not even going to TRY to transcribe.
Wolfman's Brother
From: Chris Corsale (ccorsale@cosi.stockton.edu)

First of all, go dust off your wah-wah pedal.

INTRO/VERSE PART (they're pretty interchangeable)

|-----------------------|-------------|
|-----------------------|--5----7-----|
|-------7-/-9-----7-/-9-|--6----7-----|
|-------7-/-9-----7-/-9-|--6----7-----|
|-----------------------|-------------|
|----x---------x--------|-------------|

           OR

|-------12---------12---|-------------|
|-----------------------|--5----7-----|
|-------9----------9----|--6----7-----|
|-----------------------|--7----7-----|
|-----------------------|-------------|
    
You can take your preference from these two, or come up with tons of different variations, lots of different stuff is played all over the place.  Because of that, i'm not going to differentiate between intro and verse, since they're both the same to you as a guitarist.  the only difference is whether there's singing or not.

The riff is played 8X to start with, then there's a chorus:  

B/B/A/A 

And back into the riff (which is then played 6 times), then another chorus, and the riff 6 times. then the chorus 3X in a row, followed by the riff 2X.

then there's a break: 

C#m7/D9  4X  (see chord voicings below)

then the chorus again 3X, then th riff just goes till the end ot the vocal jam.

        C#m7                               D9
     __________                       __________
    | x x x x x                       | | x | | | 5th fret
    |_|_|_|_|_|  4th fret             |_|_|_|_|_|
    | | | | x |                       | x | x x |  
    |_|_|_|_|_|                       |_|_|_|_|_|
    | | x | | |                       | | | | | |
    |_|_|_|_|_|                       |_|_|_|_|_|    


